H
UNTER TAKES HIS STAND. He leans back against the double birch. The bushes he has pushed aside close back around him. Though it is still night, he can feel the sun rising ahead.

“Too cold,” he had thought when his father had pressed his shoulder and hoarsely summoned him into wakefulness. Now he feels the wind biting his face and knows that it is colder than “too.”  The sun cannot come soon enough. The sense of ice cuts his freezing fourteen-year frame. He blows on his fingertips. They poke out through the cut-off woolen gloves.
Hunter holds his rifle lightly: Remington twenty-two, single shot, bolt action, v sight. Inadequate for the job; but it had been his father’s, given him by his father, now passed – father to son – in expectation and tradition.

Hunter holds his rifle lightly:  Remington twenty-two, single shot, bolt action, v sight. Inadequate for the job; but it had been his father’s, given him by his father, now passed – father to son – in expectation and tradition.

It is a Tuesday. Hunter should be in school. It is not even the first day of deer season – perhaps an excuse, at least a rationale. No, this is a family thing, the anniversary of his father’s first buck. Just as he had received his rifle – the rifle – on the anniversary of his father’s birth. On his father’s tenth birthday, Hunter’s grandfather had given his eldest son his first rifle, this rifle, the one Hunter holds now. The one that Hunter’s father had finally, sternly, perhaps reluctantly passed to him.

They have spent many hours: The old man watching and grumbling in his judgmental way. Hunter pinging cans and cleaning and oiling – caring for the weapon as if it were a loved woman. They have searched this stand, this spot in which the boy waits for his first deer, his first kill. His father’s expectations weigh heavily. He shivers in anticipation.

It occurs to him that the rifle is unloaded. He fishes a shell from his breast pocket, pulls back the bolt, chambers the bullet, closes the bolt, and carefully releases the safety. He is now lethal.

Standing, shivering, watching, waiting: The hunt is a lonely vigil. Even as the first rays break the cloudy sky, even as the first shadows of tree and bush can be seen, even as swallows start to do their darting hunt: the boy feels his aloneness and his discomfort.

He waits.

Hunger comes – short twisty pangs. He wishes that he had eaten more, perhaps another biscuit, maybe … He feels in his left jacket pocket. The jerky is there.

Perhaps a bite?

No, I’d best wait. It could be a long time.
He takes his empty hand out of the pocket and looks at it, rubs it on his pants, lets it dangle by his side.

Hunter leans against the birch and holds his rifle. He waits.

He sweats. Under the layers of clothing, the flannels and parka, the wool watch cap, the heavy socks: he feels the sweat and it, too, makes him shiver.

I hate this.

I hate him. Why does it have to be his way? I don’t want to hunt. I don’t want to kill no deer. I don’t want to kill nothing. Hell, I don’t even want this old gun.


He waits longer. The sun is now about its arc. It casts long shadows.

Six or so. Damn, I’m hungry.

He takes a piece of jerky from his pocket all the while telling himself that he should wait, that patience is the hunter’s friend. He bites into the spicy sinewyness, pulling away a chaw. The rest is returned.

Hunter chews and waits. He waits and he watches the clearing.

Across the clearing, in the wood, there may be movement. He isn’t sure.

Hold on. I hope it’s one so I can … Shit, I hate this. I’m never going to make my kid …

He peers at the other side of the clearing and sees shadows. They seem to move. He holds his rifle just a bit more tightly. He sweats just a bit more heavily. He shivers just a bit more strongly. He watches just a bit more keenly. The moment burns.

The animal moves quietly into the clearing. A beautiful buck. A head worth mounting. A body of many meals.

Venison for the winter. I have to! Now there is a new sweat. He doesn’t want.
God damn, I have to.


Hunter wants to miss. He wants to kill. He wants to jerk the shot. He wants to shoot true. He wants …

The deer is now fully there. No shadows, no questions. He turns towards Hunter – full face, head up, ears moving in search of something the magnificent animal cannot know.


About Kenneth Weene


A New Englander by upbringing and inclination, Kenneth Weene is a teacher, psychologist, and pastoral counselor by education. He is a writer by passion. Kens poetry has appeared in numerous publications most recently featured in Sol and publication in Spirits, Palo Verde Pages, and Vox Poetica. An anthology of his writings, Songs for my Father, was published by Inkwell Productions in 2002. Kens short stories have appeared in many places, including Legendary, Sex and Murder Magazine, The New Flesh Magazine, The Santa Fe Literary Review, Daily Flashes of Erotica Quarterly, Bewildering Stories and A Word With You Press. In 2009 Kens novel, Widows Walk, was published and in 2010 a second novel, Memoirs From the Asylum, both by All Things That Matter Press. To learn more about Kens writing visit: http://www.authorkenweene.com